Twenty by Sixteen: Group Exhibition
TWENTY BY SIXTEEN
June 11 - July 31, 2026
Opening Reception | Thursday, June 11, 6 – 8 PM
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Yevgeniya Baras Naomi Basu Myles Bennett Kiko Bordeos Patrick Bower Sarah Brenneman Scott Brodie Michael Buckland Sharon Butler Susan Carr Jaqueline Cedar Phoebe Kalm Choi Yen Yen Chou Rachel Gisela Cohen Srishti Dass Eric Doeringer |
Debra Drexler Mark Joshua Epstein Nancy Friedland Katerina Ganchak Dan Gausman Emily Gherard Chambliss Giobbi Clare Grill Nadia Haji Omar Erika b Hess Herok Amanda Hunter Ray Hwang Abbi Kenny Jenny Kemp Colleen Kiely |
Lauren Krukowski Natalie Lanese Matthew Logsdon Jebediah Long Paul Loughney Jamie Martinez Alex McQuilkin Sarah Alice Moran Sue Muskat Himeka Murai Patrick Neal Liz Nielsen Jodie Niss Natalie Ortiz Lauren Packard Gary Petersen |
Joan Reutershan Julia Rooney Laurie Rosenwald Cordy Ryman Nature Shankar Scott Simeral Roxa Smith Clintel Steed Hannah Stoll Mary Temple Tom Walker Kirk Ke Wang Thomas Whitridge Daniel Zeller |
Morgan Lehman is pleased to present the fourth iteration of Twenty by Sixteen, a legacy exhibition originally conceived by curator emeritus Geoffrey Young. The exhibition features two works by more than sixty artists, each measuring exactly 20 × 16 inches. These precise dimensions enabled us to invite a diverse group of artists, extending beyond those typically featured in our exhibition program, and bring together a wide range of perspectives within a shared framework. Conceived as a spirited summer exhibition, Twenty by Sixteen also inaugurates Morgan Lehman's expanded floor plan on the fourth floor of the West Chelsea building.
What follows is a reflection from curator emeritus Geoffrey Young on the enduring premise of the exhibition.
In a show featuring sixty artists, showing two works each––all work by definition
limited to twenty inches tall by sixteen inches wide––the sprawl of the show allows
for and in fact necessitates an unpredictable variety of artistic response.
Though we find ourselves in an increasingly tricky historical time, vacillating
between bemusement, anger, madcap wit or serious resistance, each of us is
obliged to pay attention in our own way.
And these sixty artists have faced the arbitrary but challenging size constraint and found
ways to make it do their business. To bookish minds, the vertical orientation, 20 x 16,
might be reminiscent of a page. Can we ask, Will this show be “read” by astute
observers as the “pages” fly by?
Other questions might pop up like, has AI been a factor? Will old-fashioned and
venerable brushwork assert itself? Will color be unleashed, or contained? Will certain
artists address politics, social life, street life, family life? And what of the ravages
of war? Everything is up in the air, or on the walls. If some work is gorgeously
mysterious, enigmatic by design, other works engage with the elegant sobriety
of aesthetic formality. And still others are firing on all cylinders and we just have
to watch out!
For many viewers, it can be helpful to ask, What tradition does each work belong to?
And for others to wonder, “What is the artist trying to say”? In this exciting time, the
values embedded in the creative life have always done their best to redeem the
disturbing failures of humanity. And this show, in all its serious concerns, is no different.
- Geoffrey Young, Twenty by Sixteen curator emeritus