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Mary Laube | I Will Name Myself in the Dark
Solo exhibition, 16 May - 29 June 2024
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Mary Laube | I Will Name Myself in the Dark: Solo exhibition

Past exhibition
  • Installation Views
  • Works
  • Press release
  • Related Artists
Installation Views
Open a larger version of the following image in a popup: Laube Hr 10
Open a larger version of the following image in a popup: Laube Hr 1
Open a larger version of the following image in a popup: Laube Hr 8
Open a larger version of the following image in a popup: Laube Hr 7
Open a larger version of the following image in a popup: Laube Hr 5
Open a larger version of the following image in a popup: Laube Hr 6
Works
  • Mary Laube, Beyond the Windy Sky, 2022-2024
    Mary Laube, Beyond the Windy Sky, 2022-2024
  • Mary Laube, A God I Can Swallow, 2024
    Mary Laube, A God I Can Swallow, 2024
  • Mary Laube, I Awoke Inside a Country, 2024
    Mary Laube, I Awoke Inside a Country, 2024
  • Mary Laube, Constellation, 2021
    Mary Laube, Constellation, 2021
  • Mary Laube, Parallel to the Earth, 2023
    Mary Laube, Parallel to the Earth, 2023
  • Mary Laube, god picture, 2024
    Mary Laube, god picture, 2024
  • Mary Laube, Heartache at Dusk, 2023
    Mary Laube, Heartache at Dusk, 2023
  • Mary Laube, I am the Word, 2023-2024
    Mary Laube, I am the Word, 2023-2024
  • Mary Laube, Between Two Palms, 2023
    Mary Laube, Between Two Palms, 2023
Press release
Morgan Lehman Gallery is thrilled to present our first solo presentation of paintings by Mary Laube, I Will Name Myself in the Dark. Laube excavates her own cultural narratives to allow us access to her complex transnational life between Korea and the United States. She challenges us to reconsider reductive colonial perspectives by visually depicting the formation of memory, culture, and identity as a dynamic and destabilizing process.

In her color-drenched works on wood panels, abstraction and representation coexist, reflecting patterns and forms observed by Laube during visits to museums in her birth city of Seoul. Korean wrapping cloths, ink stones, Buddhist statues, and the imagery of folk paintings are abstracted and flattened out across each picture plane. Yet, through a careful manipulation of color and value, her arrangements of shapes manage to also ascend toward a rich illusory space.

Throughout the exhibition, cultural allusions to both the United States and Korea are intricately layered and synthesized into compositions that challenge our sense of certainty and equilibrium. Laube’s stunning optical vibrations of color, in particular, serve to keep each composition in a constant state of motion and render palpable her own feelings of perpetual disequilibrium. Every painting on view is imbued with a deeply internalized understanding of displacement, reunion, decolonization, memorial, and personal myth.

Mary Laube (born Seoul, Korea, 1985) is an Associate Professor at University of Tennessee, Knoxville. She received her MFA (2012) from The University of Iowa, and her BFA (2009) from Illinois State University. Past exhibitions include the Knoxville Museum of Art, Ortega y Gasset Projects (NYC), VCU Qatar (Doha), Monaco (St Louis), The Spring Break Art Show (NYC), and Coop Gallery (Nashville). Artist residencies include Yaddo, Wassaic Project, the Virginia Center for the Creative Arts, Vermont Studio Center, and Stiwdeo Maelor in Corris, Wales. Past publications include Art Maze Mag, Maake Magazine, and New American Paintings. In 2019, Mary received the Contemporary Visual Art Bronze Award from AHL Foundation. She is a co-founder of the Warp Whistle Project, a collaborative duo with composer Paul Schuette. Together, they make work that merges kinetic stage sets with music performance.
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  • Mary Laube

    Mary Laube

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