In Rubens Ghenov’s current solo exhibition at Morgan Lehman Gallery, Accoutrements in Marwa, an Interlude in Sliver, the artist presents work in manifold manner of abstraction, inviting viewers to find their way across or freely lose themselves in the span. In many of the pieces, stout blocks of solid and gradating color are foregrounded by delicate plumes of acrylic paint that wick through raw linen. These colors, some vibrant but mostly subdued, feel as if they’ve had years to settle into the paintings, especially when they are at interplay with unprimed canvas. However, it may be Ghenov’s knack for composition that is most distinct. Circles, teardrops, and rectangles are arranged with what would seem to be intense consideration. So much so that perhaps composition isn’t the best word, but rather design.
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