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Brushless
Group exhibition, 22 June - 28 July 2017
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Brushless: Group exhibition

Past exhibition
  • Installation Views
  • Works
  • Press release
  • Related Artists
Installation Views
Open a larger version of the following image in a popup: Brushless Install Daylight 5
Open a larger version of the following image in a popup: Brushless Install Daylight 4
Open a larger version of the following image in a popup: Brushless Install Daylight 9
Open a larger version of the following image in a popup: Brushless Install Daylight 6
Open a larger version of the following image in a popup: Brushless Install Daylight 10
Open a larger version of the following image in a popup: Brushless Install Daylight 3
Open a larger version of the following image in a popup: Brushless Install Daylight 2
Open a larger version of the following image in a popup: Brushless Install Daylight 13
Open a larger version of the following image in a popup: Brushless Install Daylight 14
Open a larger version of the following image in a popup: Brushless Install Daylight 12
Works
  • Hildur Ásgeirsdóttir Jónsson, Dynjandi #2, 2017
    Hildur Ásgeirsdóttir Jónsson, Dynjandi #2, 2017
  • Hildur Ásgeirsdóttir Jónsson, Eruption #7, 2014
    Hildur Ásgeirsdóttir Jónsson, Eruption #7, 2014
  • Hildur Ásgeirsdóttir Jónsson, Eruption #9, 2014
    Hildur Ásgeirsdóttir Jónsson, Eruption #9, 2014
  • Carolanna Parlato, Flight, 2012-2017
    Carolanna Parlato, Flight, 2012-2017
  • Carolanna Parlato, Curls, 2012-2017
    Carolanna Parlato, Curls, 2012-2017
  • Halsey Hathaway, Untitled, 2017
    Halsey Hathaway, Untitled, 2017
  • Halsey Hathaway, Untitled, 2017
    Halsey Hathaway, Untitled, 2017
  • Andrew Schwartz, Becoming, 2017
    Andrew Schwartz, Becoming, 2017
  • Nathan Randall Green, SSS Tube (Aerial Perspective), 2017
    Nathan Randall Green, SSS Tube (Aerial Perspective), 2017
  • Nathan Randall Green, SSS Tube (AP) Gray Litho, 2017
    Nathan Randall Green, SSS Tube (AP) Gray Litho, 2017
  • Wayne Herpich, Ernesto Gains Strength, 2009
    Wayne Herpich, Ernesto Gains Strength, 2009
  • Wayne Herpich, Steinway, 2009
    Wayne Herpich, Steinway, 2009
  • Rachel Ostrow, Riot, 2016
    Rachel Ostrow, Riot, 2016
  • Rachel Ostrow, Memoir, 2016
    Rachel Ostrow, Memoir, 2016
Press release

Nathan Randall Green
Halsey Hathaway
Wayne Herpich
Hildur Ásgeirsdóttir Jónsson
Rachel Ostrow
Carolanna Parlato
Andrew Schwartz

 

Brushless is a summer group exhibition that explores the margins of painterly process. It features artists who choose to apply paint using non-brush tools and techniques with idiosyncratic and often surprising results. Though each artist’s ends remain unique, paint’s fickle and fertile materiality is at play throughout.

 

Nathan Randall Green’s site-specific paintings are created by rolling latex paint directly onto the wall, mixing hues wet-into-wet and sometimes masking off certain areas to achieve tighter boundaries and contrast. These wall-based works are comically jazzy riffs on geometric abstraction that activate interior space through bold color and formal directionality.

 

Using a homemade atomizer, Halsey Hathaway deploys his own breath to propel colored inks onto masked, cut, and collaged paper surfaces. These quasi-pointillist paintings gain their power from subtle chromatic shifts and hard-edged, lyrical geometries that inscribe the boundaries of the support and suggest a sort of corporeal architecture.

 

Wayne Herpich’s tool of choice is the palette knife. In these paintings, the artist slabs on juicy swaths of oil in sprawling, almost prose-like bands, and exploits swaggering wet-into-wet painterly effects to vibratory, highly optical ends. With his signature mixture of exuberance and virtuosic rigor, Herpich challenges the challengers of pictorial abstraction.

 

Hildur Ásgeirsdóttir Jónsson stains the fibers of her warp and weft and weaves them together on a 10-foot loom to produce shimmering, vibrant silk wall hangings that straddle the worlds of painting and tapestry. Though abstract, the works’ imagery is based on photographic views of an array of subjects, including brain scans, microorganisms, and the landscape of the artist’s native Iceland.

 

Rachel Ostrow wields a squeegee to push oil paint across the glassy smooth planes of her meticulously prepared wood panels, revealing richly layered alla prima color amalgamations and nullifications. Ostrow’s paintings are screen-like in their size, clarity, and sense of projected light, and celebrate the incidental surprises of paint in motion.

 

In this series of paintings, Carolanna Parlato pours fluid acrylic directly onto canvas and, by tilting the stretcher in different directions at various degrees of inclination, commands the paint to run, streak, ooze, and dribble into riotously colorful biomorphic compositions that reenergize process-based Color Field painting tropes with Pop attitude and sculptural presence.

 

Applying oil paint to his clothes and bedsheets, Andrew Schwartz drags, rubs, and stamps onto canvas, slowly building up surfaces that are both imagistic and densely material. The results are abstract and suggestive, making reference to the body through their legible labor as well the symbolic and autobiographical nature of the tools involved.

 
 
Download Press Release

Related artists

  • Nathan Randall Green

    Nathan Randall Green

  • Rachel Ostrow

    Rachel Ostrow

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