-
-
Megan Arné
Family Sleep & Thoughts of Guilt, April 1, 2023 - May 6, 2023, 2023
Oil and pencil on canvas
36h x 48w in
-
Jason Correia
Dusty Lungs, 2023
Acrylic on panel
24h x 24w in
-
Jason Correia
Off With Their Heads, 2023
Acrylic on panel
26h x 24w in
-
Sakshi Doshi
Traces on the Commonwealth Ave, 2023
Monotype on cotton muslin
72h x 37w in
-
River Kim
Spiraling Inward, 2023
Latex, hair, fishing hooks
106h x 56w in
-
Young Kim
Jin, 2023
Oil on canvas
8h x 11w in
-
Young Kim
Mi, 2023
Oil on canvas
8h x 11w in
-
Madelaine Kobe
The ceilings were blue like the sky. And they grew tall and they kept on growin’. The stars hid behind their shadows, 2023
Soda tabs, alpaca yarn, found fabric
72h x 60w in
-
Andrew Lyman
Autobahn, 2023
Oil on canvas
60h x 60w in
-
Bill Mattern
Citation Stripe no.5, 2023
Inkjet on canvas
98h x 24w in
-
Bill Mattern
Citation Stripe no.7, 2023
Inkjet on canvas
98h x 24w in
-
Luke Morrison
Bowl, 2023
Acrylic on wood panel
8h x 10w
-
Luke Morrison
Marina, 2023
Acrylic on wood panel
8h x 10w in
-
Luke Morrison
Plane & Crowd, 2023
Acrylic on wood panel
8h x 10w in
-
Shayan Nazarian
Patient Boy, 2023
Acrylic on canvas
35h x 55w in
-
Stephen Proski
How To Look at Painting, 2023
Digital print on museum board
40h x 8w in
-
Stephen Proski
Weeping Icon: Song for the Visually Impaired, 2023
Acrylic, sand, and high-density foam on canvas
96h x 36w x 6d in
-
Vincent Samudovsky
Arc, 2023
Oil, acrylic, wax, powdered pigments, graphite powder, copper, light, door viewer, on wood panel
84h x 48w in
-
Hannah Steele
Tangle, 2023
Oil on canvas
14h x 16w in
Megan Arné Bill Mattern
Jason Correia Luke Morrison
Sakshi Doshi Shayan Nazarian
River Kim Stephen Proski
Young Kim Vince Samudovsky
Madelaine Kobe Hannah Steele
Andrew Lyman
The artists in this show are the 2023 graduates of the Master of Fine Arts program in Painting at Boston University. "Into the Thicket" is a phrase that describes the daunting yet exhilarating feeling of entering life beyond their graduate education. The public field of contemporary art is dense and prickly but also a realm of exploration and wonder. Painting, for them, is a sprawling and evolving array of material possibilities, discourses, and histories. Through their distinct practices, these artists navigate the discipline by carving unique pathways of meaning.
Hannah Steele, Andrew Lyman, and Bill Mattern work at the edge of perceptibility. Through observational painting, pictorial collage, and digital rendering, each of them tests the limits of visual coherence. River Kim, Madelaine Kobe, and Shayan Nazarian use abstraction and the power of materials to summon faraway presences, such as ancestors, talismans, or guardians of knowledge. Sakshi Doshi, Young Kim, and Vincent Samudovsky study the visual effects of their immediate surroundings, such as etched shadows on buildings, the nebulous truth of painterly marks, and the physiological effects of chroma. Megan Arné, Jason Correia, Luke Morrison, and Stephen Proski reconsider expectations and societal norms, whether in domestic duties and intimate relationships, public behavior, or the act of encountering art itself.
I admire these artists because they’re unafraid of getting aesthetically lost or intellectually snagged. They’re already in the thick of it. After all, in early 2021, they submitted their applications the same week as the attack on the Capital, all while the pandemic raged on. In their studios in Boston, on the third floor of an old car dealership, they set their own terms, choosing how and when to spend their time and attention, cultivating interests and conversations, and learning through the failures and successes of making.
Beyond the studio is a chaotic world where mitigating circumstances and limitations exist at every corner. Society doesn’t always train us to exercise our will, let alone want something so badly we make it ourselves. But that’s what these artists have chosen to do. Through art, they’ve sought a place to untangle the ever-tightening knots of life, loosen the rigidity of ideology through critical thinking, and trust their own artistic decisions towards an independence of spirit. They’re not intimidated by complexity; they seek it out.
- Josephine Halvorson, Professor of Art and Chair of Graduate Studies in Painting, Boston University